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Symposien

Symposien

beschäftigen sich mit der Situation des Dokumentarfilms in Deutschland und geben einen Überblick über dessen Präsenz in verschiedenen Bereichen.



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Ankündigung

Tagung
»Dokumentarfilm und Politik. Politiken des Dokumentarfilms«

13.-15. Oktober 2011
Kölner Filmhaus, Maybachstraße 111, Köln

Die Dokumentation und das Presseecho der Tagung sind online.

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Documentary methods in art

Artists and Speakers

Katrin Mundt Curator, author and lecturer. Exhibitions and film projects, incl. for the Württembergischer Kunstverein Stuttgart, regular contributions to magazines and catalogues.

Ulrike Franke/Michael Loeken Authors, directors and producers.
Founded the film production company loekenfranke in 1996. Documentary films for cinema and television channels, including: “Und vor mir die Sterne” (1998), “Losers and Winners” (2006).

Mischa Leinkauf Video artist and cameraman, studied at the KHM, Cologne 2005-2012. Since 2007, experimental feature and short films, video and room installations. Collaboration with Matthias Wermke.

Barbara Engelbach Ph.D, curator at Museum Ludwig, Cologne, for the contemporary art collection with photography, film and video.

Phil Collins Artist and professor of video art at the KHM Cologne. He works with films, photographs, installations and live events. Solo exhibitions incl. the British Film Institute, London (2011).

Stefanie Schulte Strathaus Film and video curator, Berlin. Since 1991 at arsenal – cinema, now: Institute for Film and Video Art. Member of the selection committee for Berlinale Forum, founder and head of the Berlinale programme Forum Expanded.

Marcel Odenbach Video artist and since 2010, professor of film and video at the Kunstakademie Düsseldorf. Previously professor at the Staatlichen Hochschule für Gestaltung in Karlsruhe and at the KHM Cologne.

Dietrich Leder since 1994 professor of documentary film, fictional forms and entertainment at the KHM Cologne, journalist (incl. for funkkorrespondenz) and documentary filmmaker.

Christa Blümlinger Professor of film theory at the Université Vincennes-Saint-Denis (Paris VIII). Most recently published: “Kino aus zweiter Hand. Formen materieller Aneignung im Film und in der Medienkunst“ (2009).

Philipp Hamann Studied at the KHM, Cologne, from 2006 to 2011. Video installations, wall installations and performances, incl. “Hoffentlich. Ja. Mehr als. Sonst” (2009). Spiridon-Neven-DuMont-Preis 2012.

Luke Fowler Artist, lives in Glasgow. Deals with the legacy of Ronald D. Laing, the famous Glaswegian psychiatrist, in several works. Turner Prize Nominee 2012

Fiona Tan Artist, works with painting, photography and video, lives in Amsterdam. 2009 designed the Dutch pavilion for the 53th Venice Biennale. Current works: Levensloop (2011), Cloud Island (2010), Rise and Fall (2009).  

 
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Documentary methods in art

Programme

Friday_19th Oct. 2012

   
 

Presentation of the day: Petra L. Schmitz, dfi, Cologne

  

ab 13.30

Accreditation

   

14.00 – 14.30

Welcoming address
Klaus Jung, principal of the KHM Cologne
Ruth Schiffer, film consultant, MFKJKS of the state of NRW
Matthias Müller, professor of experimental film, KHM Cologne

 

 

14.30 - 15.30

Lecture
»Archive in action. The documentary in art since the 1990s«
Katrin Mundt, independent curator

   

15.30 – 16.00

Break

   

16.00 – 16.30

Film screening
»Opel. Eine Suche nach Zukunft«
A documentary installation by
Ulrike Franke and Michael Loeken
(Germany 2011, 30 min, German OV)

 

 

16.30 – 17.30

Discussion
Ulrike Franke and Michael Loeken in discussion with Petra Schmitz, dfi, Cologne

   

17.30 - 18.00

Break

   

18.00 - 18.15

Film screening
»Zwischenzeit« by Mischa Leinkauf and Matthias Wermke
(2008, 8 min, single channel projection)

18.15 - 19.15

 

Discussion
Mischa Leinkauf in discussion with Dietrich Leder, KHM Cologne

  

Saturday_20th Oct. 2012

   
 

Presentation of the day: Heike Ander, KHM Cologne

  

10.00 - 11.00

Lecture
»Exhibiting film: Mekas, Farocki, Rainer«
Barbara Engelbach, Museum Ludwig

   

11.00 - 11.30

Break

   

11.30 –12:45

Film screening with discussion (in English)
»Marxism Today (Prologue)« by Phil Collins
(2010, 35:30 min, German/English OV, English SUBs)

   

12.45 – 13.45

Lecture
»Distribution and discourse: Experiments in the cinema and the exhibition space«
Stefanie Schulte Strathaus
, arsenal – Institute for Film and Video Art

 

 

13.45 - 15.00

Lunch break

  
 

Presentation of the day: Astrid Beyer, Haus des Dokumentarfilms, Stuttgart

  

15.00 – 16.00

Film screening
»Disturbed Places – 5 Variationen über Indien« by Marcel Odenbach 
(2007, 34 min, one channel video installation, en OV)
»Abwarten und Tee trinken« by Marcel Odenbach
(1978, 17 min, one channel videotape)

   

16.00 – 17.00

Discussion
Marcel Odenbach in discussion with Doris Krystof, Kunstsammlung Nordrhein-Westfalen

 

 

17.00 – 17.30

Break

   

17.30 – 17.45

Interjection
»Time as a structural element in film projections and installations«
Dietrich Leder

   

17.45 -18.45

Lecture
»The attraction of the archive«
Christa Blümlinger, Université Vincennes-Saint-Denis (Paris VIII)

  

18.45- 19.30

Break

  

19.30 - 20.00

Performance
»Am Ende denkt man über einen Anfang nach«
Philipp Hamann

  

Sunday_21st Oct. 2012

   
 

Presentation of the day: Matthias Müller, KHM Cologne

  

10.00 - 11.45

Film screening
»All Divided Selves« by Luke Fowler
(2011, 93 min, English OV, HD Video)

   

11.45 – 12.00

Break

   

12.00 - 13.00

Discussion (in English)
Luke Fowler in discussion with Thomas Thiel, Kunstverein Bielefeld

   

13.00 - 13.15

Break

  

13.15 - 14.00

Film screening
»Cloud Island«
by Fiona Tan
(2010, 45 min, HD Installation)

  

14.00 - 15.00

Discussion (in English)
Fiona Tan
in discussion with Nanna Heidenreich, HBK Braunschweig

  

15.00 - 15.15

Perspectives

  

 

End of the event

 
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Documentray methods in art

Films shown at the symposium

Michael Loeken und Ulrike Franke - Opel

OPEL. EINE SUCHE NACH ZUKUNFT by Ulrike Franke and Michael Loeken

(Germany 2011, 30 min, German OV)
An apprenticeship with Opel in Bochum: one contract, three years perspective.
Six correct numbers in the lottery. Daily routine. Wake up. Take the train. Shop floor. Breaks. Only just started working life and the future is already uncertain.

Mischa Leinkauf - Zwischenzeit

ZWISCHENZEIT by Mischa Leinkauf and Matthias Wermke

(2008, 8 min, single channel projection)
On a rail trolley through Berlin’s underground tram network. A play of light and shadow and real danger in between the passing trains. The work’s unfamiliar perspectives refocus the viewer’s attention on time perception in train travel.

Phil Collins - Marxism Today

MARXISM TODAY (PROLOGUE) by Phil Collins

(2010, 35:30 min, German/English OV, English SUBs)
The film introduces three teachers of Marxism-Leninism from the DDR. They talk about their careers and their fates before and after the reunification of Germany. Their accounts are interpolated with archive material from highly ideological times.

Marcel Odenbach - Disturbed Places

DISTURBED PLACES – 5 VARIATIONEN ÜBER INDIEN by Marcel Odenbach

(2007, 34 min, one channel video installation, English OV)   
The film shows locations of the younger Indian generation such as silk shops, coffee shops, trains and markets in re-staged scenes. An occupation with the layering of meanings and media remodellings also enables Odenbach to integrate idealised notions about India that had circulated Western youth culture in the 1960s.

ABWARTEN UND TEE TRINKEN by Marcel Odenbach

(1978, 17 min, one channel videotape)
This black-and-white video piece looks at everyday activities and visits to cafés in Paris and plays with the most beautiful clichéd images of the French capital.

Luke Fowler - All Divided Selves

ALL DIVIDED SELVES by Luke Fowler

(2011, 93 min, english OV, HD Video)
This film about the psychiatrist Ronald D. Laing blends extensive archive material on the anti-psychiatry movement from television and other sources with newly filmed material. The result makes clear how the spirit of optimism in the 1960s was shaped by the media, how this was connected with the anti-psychiatry movement and uncovers the movement’s social and political interests.
(textlist of the film)

Fiona Tan - Cloud Island

CLOUD ISLAND by Fiona Tan

(2010, 45 min, HD installation)
After the end of industrialisation, the Japanese island of Inujima, on the Seto Inland Sea, was left to decay and was abandoned by the younger generation. In May 2010 the Naoshima Fukutake Art Museum began with the building of 10 art pavilions. This unhurried film shows the transition into a period of waiting.

 
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Veranstaltungen zum Thema

»Ton im Dokumentarfilm.«

 Vortrag von Volko Kamensky auf dem DOK.forum München

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Ankündigung

»Ton. Texte zur Akustik im Dokumentarfilm.«

herausgegeben von Julian Rohrhuber und Volko Kamensky

Band 15, Texte zum Dokumentarfilm, circa 300 Seiten.

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Dokumentation

Dokumentarische Verfahren in der Kunst

Die Pressestimmen und die während des Symposiums entstandenen Tonaufnahmen von Vorträgen und Gesprächen sind online.

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Interviews mit Dokumentarfilmern

Menschen, Orte, Alltag

Michael Girke im Gespräch mit Gabriele Voss und Christoph Hübner.

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